Strategically, both plays delineate the notion dictated by thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern. The point of any black comedy, through extensive manipulation of forms, styles, techniques and conventions of theatre, is to stress our willing openness to the unexpected, holding our mental material and emotive selves, in so far as possible in a pathological state of readiness. The notion of comedy and cruelty runs right through scene 9; Donny: Padraic is caressing the body of his dead cat.
So this is a eulogy for a podcast. Except its passing has a happy ending. They were both comedic geniuses, known for their precision and playfulness. Nasty, literate, and as honed as a pub dart. Because, for 40 minutes plus, they are unfiltered id — racist, Black comedy essay, disgusting — seeing what it feels like to say every single awful thing that comes to us in our sloppiest moments.
Go on YouTube, listen to any track. Just listen to the first track, and imagine the thousands of outraged Tumblr think pieces that wee chunk of comedy would birth were it released today.
Another favorite album of mine is Shut Up, Little Man! One of them, Peter Haskett, is a snippy queen, a surviving specimen of the self-loathing gays that lived through the oppressive horror of America in the late 50s and early 60s. If only he could get out of his chair.
Their back-and-forth screechfests and occasional drunken monologue sound like Samuel Beckett writing a two-man suicide note. I used to play it, very low, while writing screenplays, imagining it was real passion and hatred bleeding through the walls of the sterile, eerily silent apartment building I lived in all through the 90s.
Which brings me to this video. This video is a segment I did on a podcast called Walking the Room. Podcasts are the best thing to happen to comedy since George Carlin and Richard Pryor finally broke through the language and subject restrictions that — even a decade after Lenny Bruce spiked himself off of our planet — still held sway.
They freed things up.
Not in terms of subject matter or censorship, but in terms of access and connection. Comedians — or writers, or performers, or anyone — can get in front of a mike and spit whatever they want.
Voices, viewpoints, sheer creativity and hilarity, all mostly for free, all at your fingertips. Hosted by Greg Behrendt and Dave Anthony, it was a sometimes unpleasant, always real window into two imperfect comedians and writers, living in Los Angeles, raising families, and dealing with the fact they seem to have a low-level mutant power which, for lack of a more elegant term, make them both no-fail shit magnets.
Walking the Room dropped episodes and then ended on September 29th of this year. The first ten episodes?
Horrible sound, echo-ey, Greg and Dave finding their voice, hammering out the format. In a terrific Facebook post, Dave describes, honestly and calmly, how they both outgrew the show.
Over the summer, Greg did a massive, seven week tour of Australia. Dave was accepted to do his one-man show at The Melbourne International Comedy Festival, and his online Kickstarter raised the funds to send him in under 24 hours. A podcast as real and honest as Walking the Room — which was essentially about two comedians struggling and failing — would become the pinnacle of dishonesty if they continued with it in light of their recent successes.
So watch this clip, then download all episodes and brace yourselves.Read chapter 1, "The Importance of Humor Writing," from Comedy Writing Secrets.
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Men don't vomit at the sight of trans women in comedies anymore, but recent releases like Deadpool and Zoolander 2 demonstrate how trans and gender. Vulture provides breaking news, thoughtful commentary, and in-depth reporting on the world of comedy, including reviews, comedian interviews, and behind-the-scenes access.
Black comedy, also known as dark comedy or gallows humor, is a comic style that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to ph-vs.comans often use it as a tool for exploring vulgar issues, thus provoking discomfort and serious thought as well as amusement in their audience.
Black comedy is defined as the morbid, gloomy, grotesque, or calamitous situations in its plots (ph-vs.com). Faulkner demonstrates his writing techniques of black comedy through the .