Even if the author doesn't consciously identify an intended theme, the creative process is directed by at least one controlling idea — a concept or principle or belief or purpose significant to the author. The theme — often several themes — guides the author by controlling where the story goes, what the characters do, what mood is portrayed, what style evolves, and what emotional effects the story will create in the reader. Igbo Society Complexity From Achebe's own statements, we know that one of his themes is the complexity of Igbo society before the arrival of the Europeans.
However, firemen have been given a new occupation; they are burners of books and the official censors of the state. As a fireman, Guy Montag is responsible for destroying not only the books he finds, but also the homes in which he finds them.
Books are not to be read; they are to be destroyed without question.
|Example Analysis-Evaluation Essays #1||It is also used by the World Bank with regard to economic and societal development and by management experts as a way of thinking about organizational development.|
|Chinua Achebe||The Trustees of Dulwich Picture Gallery, London From a purely visual point of view, the drawn-back tapestry functions as a so-called repoussoir.|
|Style and Technique||Creonthe new ruler of Thebes, has declared that Eteocles is to be honoured and Polynices is to be disgraced by leaving his body unburied on the battlefield a harsh and shameful punishment at the time.|
|Home | Turnitin||Though the authorial voice seems never to judge the characters or the action, narrating events swiftly and precisely, such basic narrative techniques as description of setting and the use of metaphor often amplify and deepen the meaning of the simple prose. Maupassant takes great care in presenting the chaos of the French countryside during the Franco-Prussian War, delaying the introduction of the characters until the details of violence have established a tension that effectively prepares the reader for the real conflict between private and public virtue.|
For Montag, "It was a pleasure to burn. Therefore, Montag, along with the other firemen, burn the books to show conformity.
Without ideas, everyone conforms, and as a result, everyone should be happy.
When books and new ideas are available to people, conflict and unhappiness occur. At first, Montag believes that he is happy.
When he views himself in the firehouse mirror after a night of burning, he grins "the fierce grin of all men singed and driven back by flame.
When Montag meets Clarisse McClellan, his new vivacious teenage neighbor, he begins to question whether he really is happy.
Clarisse gives Montag enlightenment; she questions him not only about his own personal happiness but also about his occupation and about the fact that he knows little truth about history.
At the same time, she also gives the reader the opportunity to see that the government has dramatically changed what its citizens perceive as their history. For example, Montag never knew that firemen used to fight actual fires or that billboards used to be only 20 feet long.
Nor did Montag know that people could actually talk to one another; the governmental use of parlor walls has eliminated the need for casual conversation. Clarisse arouses Montag's curiosity and begins to help him discover that real happiness has been missing from his life for quite some time.
After Montag's encounter with Clarisse, he returns home to find his wife Mildred Montag Millie unconscious; she is lying on the bed with her Seashell Radios in her ears and has overdosed on tranquilizers and sleeping pills. Two impersonal technicians, who bring machines to pump her stomach and provide a total transfusion, save Millie, but she could possibly overdose again and never even know it — or so it may seem.
The matter of the overdose — whether an attempted suicide or a result of sheer mindlessness — is never settled. Although Montag wishes to discuss the matter of the overdose, Millie does not, and their inability to agree on even this matter suggests the profound estrangement that exists between them.
Even though Montag and Millie have been married for years, Montag realizes, after the overdose incident, that he doesn't really know much about his wife at all. He can't remember when or where he first met her. In fact, all that he does know about his wife is that she is interested only in her "family" — the illusory images on her three-wall TV — and the fact that she drives their car with high-speed abandon.
He realizes that their life together is meaningless and purposeless. They don't love each other; in fact, they probably don't love anything, except perhaps burning Montag and living secondhand through an imaginary family Millie.
When Montag returns to work the next day, he touches the Mechanical Hound and hears a growl. The Mechanical Hound is best described as a device of terror, a machine that is perversely similar to a trained killer dog but has been improved by refined technology, which allows it to inexorably track down and capture criminals by stunning them with a tranquilizer.
Montag fears that the dog can sense his growing unhappiness. He also fears that the Hound somehow knows that he's confiscated some books during one of his raids. The fire chief, Captain Beatty also senses Montag's unhappiness. Upon entering the upper level of the firehouse, Montag questions whether the Mechanical Hound can think.
Beatty, who functions as the apologist of the dystopia, points out that the Hound "doesn't think anything we don't want it to think. After several more days of encountering Clarisse and working at the firehouse, Montag experiences two things that make him realize that he must convert his life.
The first incident is one in which he is called to an unidentified woman's house to destroy her books. Her neighbor discovered her cache of books, so they must be burned.
The woman stubbornly refuses to leave her home; instead, she chooses to burn with her books. The second incident, which occurs later the same evening, is when Millie tells Montag that the McClellans have moved away because Clarisse died in an automobile accident — she was "run over by a car.
Montag decides to talk with Millie about his dissatisfaction with his job as a fireman and about the intrinsic values that a person can obtain from books. Suddenly, he sees that Millie is incapable of understanding what he means.
All she knows is that books are unlawful and that anyone who breaks the law must be punished. Fearing for her own safety, Millie declares that she is innocent of any wrongdoing, and she says that Montag must leave her alone.Two of the central values in Pride and Prejudice are marriage and women's economic freedom.
These are both best illuminated through Charlotte's remarks and her marriage to Collins. 3 Introduction Margaret Atwood’s The Handmaid’s Tale is a thought provoking novel about the domination and governing of women by men.
It presents a dystopia where freedom for women is restricted because of the new Christian government’s extreme policies. page 2 Visions of the future The anxieties of the time are deeply felt in Metropolis, but Lang claimed he was also ‘looking at Germany in the future’ when he made the film.
Analyse How the Central Values Portrayed in King Richard Iii Are Creatively Reshaped in Looking for Richard. Words | 7 Pages "An honest tale speeds best, being plainly told.”. For social values, only those which serve the ultimate inner spiritual reality are of value, while materialistic values, such as economic wealth, are seen as ultimately worthless.
The principle of sacrifice is an integral part of the ideational social value system. Crime and deviance and the media 1. Crime and Deviance Media 2. Lesson Objectives• Introduce how the media portray crime• Look at ways in which the media might be a cause of crime and of the fear of crime• Look at the role the media play in creating moral panics.